The 2019 Southwest Kiln Conference will be taking place during the weekend of October 4, 2019 - October 6, 2019 in Globe, Arizona, and everyone is invited. The organizers stress that "...attendance is free and open to the public so come up to Globe and learn about the exciting things being done in the fields of prehistoric pottery replication and experimental archaeology."

We at the GCAS encourage our readers to travel to Las Cruces some time between now and December 15, 2019, to visit some fine examples of Mimbres ceramics. It would make quite the day trip.

"Living in Sacred Continuum" is an assemblage of Mimbres pottery dating from 1000 CE to 1130 CE, and is now on display at the American Indian Student Center on the New Mexico State University campus in Las Cruces. The exhibit features interpretations of the pottery’s designs by five different Hopi artists with five different points of view. [Photo of the Hopi artists at work - by Atsunori Ito via NMSU. Dr. Arakawa is shown in center background.]

The American Southwest Virtual Museum describes itself as "...a digital repository of photographs, maps, information, and virtual tours of National Park Service units and museums across the Southwest." However, they offer much more than that to the avocational archaeologist. For example, browse through their Pottery Guide in the home page's right sidebar, or perhaps start with the home page's Featured Exhibit. Their interactive Artifact Exhibits include animal bone, projectile points, shells, and more - with comprehensive identifications that include provenience.

The American Southwest Virtual Museum is an excellent way for anyone to become better acquainted with the cultures, artifacts, and archaeological sites of the US Southwest. Your GCAS Webmaster says check it out!

/s/ webmaster [Style III Mimbres bowl image by Boone/Belnap, Bilby Research Center, Northern Arizona University]

The Arizona State Museum, located on the campus of the University of Arizona in Tucson, has spent the past six years on a massive conservation project of their collection of over 35,000 Native baskets, sandals, cradleboards, mats, and more. They undertook their Woven Wonders conservation project because their vast collection of perishable items required new conservation techniques to safely store them without further deterioration. Moreover, the ASM aimed to make their collection more accessible to the public as well as researchers. This involved not only improving how the collections were physically stored and climate-controlled, but also updating how the items were organized and catalogued. [Photo via Arizona State Museum.]

If you have ever traveled along Interstate 10 in Arizona between Willcox and Benson, you may have spotted a small roadside sign in the Dragoon Mountains [photo on left via Creative Commons] directing you to the Amerind Museum off of Exit 318. The idea of a museum located in such a beautiful natural setting may have piqued your interest, but at 75 mph you were already past the exit to give much thought to a detour.

How about taking a detour there now?

To read the full narrative of the great GCAS field trip of May 2-4, 2018, see Part I, Part II, Part III, Part IV, and Part V.

I have been remiss in not disclosing that our group dined - and well - while in Mexico. No photos were taken of the excellent seafood restaurant our guide Luis introduced us to in Janos; but we had a more traditional lunch experience in a small hotel in Mata Ortiz that had little trouble in providing our group of 16 gabachos with a classic lunch of chiles rellenos, tacos, and much, much more.  (h/t Marcia Corl for the dining photo up there on the left; webmaster focused instead on the chile ristras along the garden portal.)

Day 3: May 4, 2018. We arrived in Paquimé. The site's thick adobe walls may be slowly dissolving back into the earth, but it remains an awe-inspiring sight to look out over Paquimé's grand plaza, its ceremonial structures, and its residential areas comprising some 1700 rooms.

To read the complete narrative of the GCAS field trip of May 2-4, 2018, see Part I, Part II, Part III, and Part IV.

The second half of Day 2, May 3, 2018, comprised a tour of the area's historic structures, including a charming 1930s-era church in Juan Mata Ortiz.

In stark contrast to the small, well-tended church and grounds in Mata Ortiz, were the ruins of Hacienda San Diego, one of the mansions belonging to the early 20th-Century cattle baron Luis Terrazas. During the First Gilded Age, Luis Terrazas amassed a combined total of 7 million acres of ranch land, over 500,000 head of cattle, and a few hundred thousand head of horses, mules, and sheep. He was reputed at the time to be the largest individual land owner in the Americas. During the Mexican Revolution of 1916, Pancho Villa used his position as provisional governor to confiscate Terrazas's land and slaughter all the livestock to feed the revolutionary army.

(This is an avocational archaeological website, so I will not personally comment upon the politics of the Terrazas-Villa era. I will leave it up to discerning websurfers to determine for themselves whether or not certain remarks are factually attributable to Luis Terrazas, such as, "Chihuahua comprises the largest part of my ranch," and "I am not from Chihuahua. Chihuahua is mine.")

Marcia Corl, an archaeology enthusiast from Las Cruces, joined us on our international field trip to Paquimé. In today's post please enjoy some of her portraits of the people living and working in the ceramics center of Juan Mata Ortiz. All photos you see in this post are Marcia Corl's, EXCEPT this large one over here on the right. Marcia says that this particular one is a photo she took of another photo that she saw hanging in one of the Mata Ortiz galleries we visited. Marcia says that this is a portrait of Juan Quezada himself, shown firing Mata Ortiz ceramics the Old Skool way - using a flaming pile of wood and cow pies. However, an image of Juan Quezada seems to be an apt introduction to the rest of Marcia's own photos of the artisans and residents of his home town. (As always, hover on a photo for a caption; and click on any photo to enlarge.)

Marcia writes:

"​I had no idea what to expect when I learned I was able to go with this bright and energetic group to Mata Ortiz and Paquimé.  I had told myself that I was not going to spend any money on pots (which I had very little room for in my house), but the trip was going to be a learning experience anyway.  Never had seen Paquimé either. We  saved the second day of the trip for the Mata Ortiz visit. I expected to drive up to some sort of Plaza where we would find everyone with their wares, but our first stop was at a little adobe house, where I thought Luis (our guide) maybe had some personal business, until we were all escorted into the private house of a potter.  The whole bus was going in!  She had 3 walls of the small front room lined in shelves of pottery, all hand thrown, and some hand painted with a single-hair brush. The prices were on tape written in dollars below the beautiful objects, ranging from 5 dollars to 200 dollars.  The table she was to demonstrate the fine painting was on the 4th wall.  We all watched with bated breath while she marked the finely decorated white clay pot with a repeat pattern of burnt orange paint between the tiny black design already there. 

To read the complete narrative of the GCAS field trip of May 2-4, 2018, see Part I here, and Part II here.

Day 2: May 3, 2018. Shopping day in the artisans' town of Mata Ortiz. Because the Grant County Archaeological Society embraces art and culture in all its forms. (h/t Marcia Corl for close-up photo of fine ceramics detailing.)

Juan Mata Ortiz is a town of about 1200 people located several miles south- southwest of Nuevo Casas Grandes, Chihuahua, Mexico. It was established in the late 19th Century  as "Pearson," but after the 1916 Mexican Revolution it renamed itself "Juan Mata Ortiz" in memory of an army colonel and local hero who had fought against the Apache. The town's economy had been based exclusively on agriculture, but beginning in the late 1970s/early 1980s a ceramics tradition began to develop that now provides the town and its inhabitants with a more stable and diverse economy than agriculture alone had afforded.

May 2, 2018, the first day of our GCAS international field trip to archaeological and historic sites in Chihuahua, Mexico, was windy and action-packed. We hiked for about 1/3 mile from La Cueva de la Olla crossing a shallow stream and the valley floor, up a short, steep path to the cave and cliff dwellings of La Cueva de la Golondrina ("Cave of the Swallow"). Occupation of this site has been dated to roughly 1000-1050 CE; somewhat more recent and for a shorter duration than La Cueva de la Olla. (h/t Marcia Corl for far left image.)

One of the structures in La Cueva de la Golondrina (see photo over here on the right) was built in a unique cylindrical shape, yet it and the other more conventional, rectangular-shaped adobe rooms at this site used the same defensive techniques of small ventilation windows and narrow, low, T-shaped doorways that seem typical of cliff dwellings of this era throughout northwest Mexico and southwest US.

Facing the cave, the cliff dwellings on the far left appeared more intact than those at La Cueva de la Olla; their walls extended all the way to the cave's roof. Slim rows of latillas in the upper parts of small ventilation windows remained in place despite graffiti etched into the surrounding adobe. Steps carved into the sloping rock were still usable to climb up to the cave floor (see photo on far left). The fine sand of the cave floor itself appeared uniformly flat and smooth, even into the cave's furthermost recesses.

Facing the cave along its upper right side, a long panel of white-painted pictographs came into view.